Spatially, Howard Benson Vocals includes both a multiplier and a spatial widener for three-dimensional control. His semi-parametric EQ gives you the ability to paint in wide strokes sonically before passing through to the spatial section. Depending on the vocal styling, you can keep things clean and controlled or warm them up with tube saturation & grit controls. So much of Howard’s sound comes from the dynamic front-end of the chain in the form of compression and EQ. Working to capture the essence of both hardware and software processing, we ended up with seven distinct signal chain elements that work together to form the core of his vocal sound. With Howard Benson Vocals, we’ve meticulously modeled every aspect of Howard’s vocal chain with direct input from Howard and his team every step of the way. His dynamic approach to vocal production has led to huge major label success and for the first time ever, his award winning vocal mixing formula is available in one powerful audio plugin. Start adding the elite modern vocal chain to your mixes today!Īs you can tell, Howard Benson doesn’t just stick to a single genre – his work can be heard all over the charts. Palisades - Papa Roach - Puddle of Mudd - Rascal Flatts - Red - Relient K - Saliva - Santana - Saosin - Seether - Sepultura - Simple Plan - Skillet - Skindred - The All-American Rejects - The Maine - The Red Jumpsuit Apparatus - The Starting Line - Theory of a Deadman - Third Day - Three Days Grace And Mobb Deep’s Prodigy delivers on the threat with his astonishing first verse: “Rock you in your face, stab your brain with your nose bone…” It’s the kind of thing that should get you locked up for life.3 Doors Down - 10 Years - Adam Lambert - All That Remains - Apocalyptica - Black Stone Cherry - Blessthefall - Chris Cornell - Cold - Creed - Daughtry - Escape The Fate - Gavin DeGraw - Halestorm - Hawthorne Heights - Head Automatica - Hoobastank - In Flames - Issues - Kelly Clarkson - Less Than Jake - Lia Marie Johnson - Motörhead - My Chemical Romance - Of Mice & Men - Orianthi - Otep - P.O.D. It’s the sound of a looming threat that could exist in any era. II” so timeless is that it’s also somewhat generic. II,” Mobb Deep’s Havoc combined three equally mercurial jazz samples: Herbie Hancock’s “Jessica,” “Daly-Wilson Big Band’s “Dirty Feet” and Quincy Jones “Kitty With The Bent Frame.” The songs are so obscure (at least to hip hop fans), their presence in the track remained somewhat of a mystery for a decade and a half. II.” That slow drum beat and those sirens seemingly ripped out of a horror film. There’s something immediately terrifying about “Shook Ones, Pt.
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